U.S. Dramatic […] ...
Cole Webley’s deeply compassionate gut-punch of a movie, which premiered in the U.S. Dramatic Competition section of this ...
I was acutely aware of the fact that the details of my film had no chance of approval for a domestic theatrical release in China, despite it being a […] ...
One night in the summer of 2022, I received a text message from a producer to whom I had sent the script for 1 Girl Infinite, hoping she might help me make the film. Her message read: “I love the ...
Publication with a focus on independent film, offering articles, links, and resources.
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By ...
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By ...
What’s more, that dialogue is not some dramatically sculptured theatrical two-hander building to third act epiphanies but, rather, a transcription of an actual conversation between art photographer ...
Among the features premiering this year at the Sundance Film Festival, there are none — on paper — simpler than Ira Sachs’s Peter Hujar’s Day. Arriving just two years after he premiered his Passages ...
Among the features premiering this year at the Sundance Film Festival, there are none — on paper — simpler than Ira Sachs’s Peter Hujar’s Day. Arriving just two years after he premiered his Passages ...
Below, I spoke to Sachs about his approach to adapting Rosenkrantz’s slim tome, what his film has to say about the artist’s ...
Mad Bills to Pay (or Destiny, dile que no soy malo) is director Joel Alfonso Vargas’s feature adaptation of his short film ...